Here is a representative list of some of the workshops he can bring to your group:
|Photo courtesy of|
Improvisation: Viola Spolin, author of several books on improvisation, believed it to be as powerful a training technique for actors as Stanislavski's Method. Rich has taught improv for years, and uses it, along with sociodrama (explained next) to coach actors for roles, especially those that require actors to access their emotions. It's also a great form of acting all on its own! It encourages actors to take risks, expand their creativity and spontaneity, and to trust fellow actors. For non-actors it's a great way to gain confidence for public speaking (the number one fear over death!). Rich creates a safe environment for participants to explore.
Sociodrama: This dynamic technique can be used on its own or in conjunction with any of Rich's plays or presentations. Rich leads groups in an exploration of a theme which the group helps define. Individuals act out the theme in a specific scenario. Rich uses several techniques to direct the action in ways which explore the theme most valuably. Once the action is completed, Rich leads a discussion of what was learned through the process. Rich's master's thesis was based on a sociodrama program he taught.
For sociodrama resources click here.
I've witnessed your work in sociodrama a few times over the years and each time I am stretched. Thank you for your sensitivity and agility to float so easily among various communities, all children of the Lord. You also have a gift at facilitating. You're wise to know when to sit back and when to interject. You also have a great toolbox of techniques to help folks dig deeper. Great work.
Choreographer, Dancer and Teacher
Sociodrama for Playwrights (Devised Theatre): Plots and dialogue can be created and reworked using this technique. The playwright can see the characters moving, hear them talking, and even know their thoughts, and then take that back to the keyboard. Attendees are encouraged to take what was discovered in the workshop and use it as a springboard for their own work. The following piece was created by the enactors with Rich as the playwright/director at the Applied Theatre Conference in Greenville, SC. All that was given was the theme of dealing with addiction. Rich asked who wanted to play someone addicted to a substance. An enactor stepped out of the audience and Rich interviewed him. As the character mentioned people in his life Rich asked other audience members to step into those roles. Once the piece was generated, Rich directed the piece using sociodrama (see the next class), exploring backstory and subtext and bringing some of that into the main production. As of this posting, the script has yet to be written down:
There were two endings created and rehearsed. The enactor playing Jeff was instructed to make his decision between the two endings in the moment of reflection on the "voices" he heard at the mirror.
Rights are granted to show the above as a film and/or generate a script and perform it. If it is used for commercial purposes, please send 5% of any gross income to the Applied Theatre Center.
Couldn't have asked for a better instructor! --Catie HarrisSociodrama for Actors and Directors: Though non-actors can benefit greatly from sociodrama, it can be a very powerful tool to help directors help actors. Scenes which are referred to, but not seen in plays can be brought to life through sociodrama, so that the actors actually have a memory of what they're describing in the play. The emotions of characters can be explored in ways that are helpful to everyone involved.
Student of Rich at the TAM Conservatory
Helped create "No/Yes" through sociodrama
I had the great pleasure of attending the Applied Theatre Conference in March 2011. I pre-registered for Rich Swingle's class: Sociodrama for At-risk People." I had little knowledge of this area but wanted to learn since my ministry has taken us to many at-risk people. Rich not only had a delightfully engaging manner of teaching but his knowledge and experience was very apparent. As we moved to actually acting and experimenting with the techniques taught, Rich was nothing less then masterful as he moved us all with confidence and patience to practice this area of Applied Theatre. I told Rich later that what was really artful was the way he would "disappear" to allow us to explore and then when help was needed or called for, he "reappeared" to offer guidance and instruction. I learned more in a weekend workshop with Rich than I think I could in a semester of college instruction. Thank you, Rich!
Peculiar People, Inc.
Enacted Prayer/Praise: Based in sociodrama, enacted prayer and enacted praise are simply praying and praising with movement rather than words. Rich has taught the prayer form all over the world, and may be the first to have introduced it to Romania and Cuba. He has found that it gives people a more clear prayer direction, gets people excited about praying, and is often answered dramatically.
For more about enacted prayer click here.
Bibliodrama: Participants take a passage of scripture and, using improvisational sociodrama techniques, bring the ancient words to life. It's an exciting way to study the Bible because it puts readers in the sandals of the characters and invites them to share their feelings about what's going on. The technique has been used by Christian and Jewish groups in America and Europe since the early 1980's, and has helped bring numerous people into a closer connection with scripture.
Sociodrama for Sunday Morning: Because of the flexible nature of sociodrama, it can be used in the Sunday morning service to explore the chosen scripture dramatically through bibliodrama (see description above) and then practice living out the principles found in the text through a dramatization of that passage or in a modern scenario. For churches open to this kind of "sermon" the results can be profound and literally life-transformational. In the scripture exploration section members of the congregation (or workshop) come to the stage to step into the roles of the people in the text. The director interviews them and some dialogue takes place, where appropriate. It is not at all an attempt to rewrite scripture but rather a technique whereby the feelings and emotions behind the text can be explored and experienced. In taking the application into the here-and-now the participants create a scene based on the themes of the scripture to which they've been warmed up. People go away with a better understanding of the scripture and how to apply it to their own lives.
The Physical Actor: Rich has been described as "the converted version of Jim Carrey." Rich has developed a workshop in which he teaches how to develop a character from head to toe. This is Rich's most popular workshop.
Writing for Stage and/or Screen: Rich has written a majority of the plays that he performs around the world. In his workshops he shares insights he's learned from his own work and from those who taught him: Tina Howe (nominated for the Tony, the OBIE, and twice for the Pulitzer Prize), Jerome Coopersmith (the original Hawaii 5-0, American Christmas Carol, over 100 episodes for all three original networks), Eric Bentley (Chief Translator for Bertolt Brecht and a student of C.S. Lewis), Lee and Janet Batchler (Batman Forever, Smoke and Mirrors), and Sean Gaffney (Veggie Tales).
Drama in Ministry: Rich taught this as a one-credit class at George Fox University, at the Asia-Pacific Nazarene Theological Seminary, the National Council of Churches in Cuba as well as at various conferences. Rich takes students who may or may not have any drama background through the basic forms drama can take in a ministry context, from sketch to full-blown musical. Examples of the short forms are a part of the experience.
Video Lectures: Though Rich would much prefer to work with your group live, it's worked well for him to speak to groups via video conference. Professor Christopher Martin had Rich give a video lecture, and here was his response:
Thank you again so much for today! I had many students come up to me afterward thanking me for bringing you to the class. I think for a lot of seniors, as they approach graduation, it can feel overwhelming trying to figure out the next steps. So to have heard from you, someone living and working successfully in NYC, proved to be incredibly valuable to them.
--Christopher Martin, M.F.A.
Assistant Professor, Theatre
Oral Roberts University
Why Should Christians Enter the Performing Arts: Rich was on a panel addressing this topic at the Ivy League Congress on Faith and Action hosted by the Harvard University chapter of Christian Union. To see the entire talk visit RichDrama.com/IvyLeague.
|Talking over a scene with Lindy Nelson.|
Photo by Heather Peterson.
Just finished an exhausting but incredibly memorable week in Bismarck, ND. I was privileged to spend several days on a film set with Christian actor, Rich Swingle! His passion in his work, and love for the Lord were a huge inspiration. The time I spent working with him deeply encouraged me; not only as an actress but also as a follower of Christ.Spiritual Life Weeks at High Schools and Colleges: Rich and Joyce can team up with a mix of drama and teaching to fill a whole week of chapels.
Lead in Living Word
I have been wanting to thank you again from my husband and I, both, for investing in our daughters, Lindy and Larissa, through the Living Word film project. They and many other young people have been inspired by you. I've heard story after story of ways you blessed those on the filming project and more at the [North Dakota Home School] Convention. Your love for Jesus shines so very brightly.....it simply is contagious. May God abundantly bless you and your dear wife for all that you do to reach out to young people and invest in them.
Before you came, I didn't realize how important trust was... There (were) a lot of times that I was lost. Now I know that when we trust God He guides us through the valley of the shadow of death.For more quotes from students at Morrison Academy click here.
Morrison Academy, Taichung, Taiwan
Marriage and Singles Retreats: Rich and Joyce have a unique story of how the Lord brought them together at a singles retreat. Joyce has a masters in mental health counseling from the Alliance Graduate School of Counseling. Their mix of teaching and drama inspire and delight.
Rich holds an M.A. in theatre from Hunter College (City University of New York). If there is something specific you'd like Rich to address for your group and it isn't listed here, he'd be glad to come up with something that fits the bill.
I am pleased to nominate Rich Swingle as The-Best-Performing-Artist-Of-This-Decade for Theater, Film, and an outstanding Acting Coach. I have had the wonderful pleasure of knowing and working with Rich for several years now and have always found him above and beyond talented, professional, full of high energy, dependable, efficient, unfailingly punctual, and so much fun to work with and be around. In fact, I have never worked with an entertainment industry professional like Rich who gives as much attention to detail as he does in EVERYTHING. Also, his willingness to take on difficult Theater, Film, and Acting Coach projects and see them to successful completion has repeatedly impressed me over and over again.
Rich Swingle's skills do not end with his Theater, Film, and Acting Coach experienced accomplishments. He also projects a warm, cheerful attitude to everyone he comes into contact with. Rich has an amazing way of resolving conflicts and handle other difficult situations with remarkable patience and admirable tact. In the community he goes out of his way to help people in need. He loves people, works hard, and always tries to lift the spirits of those around him. I believe these characteristics represent all that is good in Rich Swingle, and I am blessed, pleased, and honored to work with him professionally and to know him personally.
Award Winning Actor, Producer, Director
Thank you for your teaching and encouragement which helped me grow in grace and truth! You are by far one of my favorite, most influential, most memorable, and most enjoyable teachers. Not only your insights on acting which were many but your insights on to the nature and character of God which came just as fast and free.
Harpist, Writer and Dramatist
Rich Swingle was my drama teacher one year at National music camp. He is a man of passion and a man of perseverance. He loves what he does and he loves his life. I am not much of an actor at all, but he believed in me, in my abilities, and was an encouraging voice. When we went deeper in rehearsals into some soul searching he was incredibly vulnerable and encouraging. I value the time that we had together for that one week and desire the best things for his life.
--Kirsten C. Ivany
(Posted seven years after Rich worked with her at The Territorial School for Music and Gospel Arts, nicknamed National music camp)
I just wanted to thank you for what you did for me and the other students. I learned so much from you guys, and I will take it I into my future. I will definitely be staying in touch as I will have questions about different things that I will want your advice on. Thanks again. I don't have celebrity heroes from TV, you guys are seriously my heroes.
Student of the Lamplighter Guild for Creative Disciples
Helped create a sketch through sociodrama
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For information on more the Swingles offer visit RichDrama.com.