Tale of Two Cities is a big hit on Broadway

I'm glad to see there are others that share my thoughts about Tale of Two Cities.  Here's what I blogged after seeing it:

My favorite theatrical hours of late were spent at the new musical, A Tale of Two Cities. While creating our documentary on Eric Liddell (details will be announced soon for our Western Hemisphere debut) we discovered that Liddell was meorizing the last three chapters of Dickens' masterpiece. It truly is worth meditating on the story of a man giving his life for another. The whole cast was great, but James Barbour, who played Sydney Carton, was extaordinary. Right from the start he was making choices that were absolutely captivating.

Rich

Begin forwarded message:

Could Tale of Two Cities be the Next Les Miserables on Broadway?
Teresa Neumann (October 30, 2008)

"The musical...honors the central theme, taken from Christianity, of sacrificing one life to save others." After performances, audiences stand, cheer, and weep.
Sounding like shades of the French Revolution—oppressed peasantry vs. jaded royalty—
World Magazine has published an article exposing the deep cultural divide in America as it relates to the new Broadway musical A Tale of Two Cities, based on Dickens' seminal masterpiece.

Writes reporter Marvin Olasky: "The
 [New York] Times sneered at the production based on Charles Dickens' novel...another reviewer, from Toronto, complained about the reaction of apparently ignorant theater-goers: 'The audience stood and cheered . . . some even wept.'"
"That's what happened the night I attended," Olasky remarks. "The singing and staging were excellent, and the colorful Dickensian plot moved along and moved attendees. Afterwards, I wasn't surprised to find that most of the 85 online responses to the
 Times review gave the musical five stars (out of five) and included comments like 'the best of times despite The New York Times.'" 
Olasky wonders if the criticism from New York elites is due to the fact that 
Jill Santoriello, who wrote the new show's book, lyrics, and music is a self-taught novice (a threat to the inner circle of well-educated and well-groomed professionals). Or, muses Olasky, it could be that theology plays a role considering the main theme of Dickens' novel is self-sacrifice centering on the Scripture"I am the Resurrection and the Life."
Regardless, it seems the people have spoken, and in New York—as it is everywhere—if they continue to come, the play will go on.
Source: Marvin Olasky - World Magazine







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